This weekend it was officially announced that Yui Mizuno (aka Yuimetal) of BABYMETAL has officially parted ways with the famous metal band. For many fans, the news did not come as a shock due to her absence of band performances during the summer despite management’s attempt to turn Yui’s whereabouts into part of the band’s storyline. Sadly, fans were finally given closure this week via the band's statement that Yuimetal had left the group to rest and recover from an undisclosed illness.
 
Below is BABYMETAL’s official announcement on Yui's departure:
 
“Yuimetal had expressed her desire to return performing with the group in the following months after last December’s performance due health concerns. During her absence, both Su-metal and Moametal as well as the entire staff team had been preparing for her awaited return. However, Yuimetal came to a decision that she will not be performing at BABYMETAL World Tour 2018 in Japan and that she will no longer be a part of BABYMETAL. We thank her for all of her contributions and wish her all the best in her future endeavors.”
 
Don’t think this will be the last you will see of her though. In her own statement, she expressed that when she recovers from her health problems, she would want to return to the stage as a solo artist.
 
Yui provided a separate message to the fans:
 
“To all the fans,
 
I am truly sorry for the inconvenience I have caused so many people due to being absent for an extended period of time. I have mulled over this over and over again but, I have decided to leave BABYMETAL at this time.
 
I feel very sorry that my decision will disturb the other members and some many fans who have supported BABYMETAL. I am further terribly sorry to sadden the fans who have supported BABYMETAL. I had the strong desire to appear on stage again but my physical condition is not at its best even now, and further I feel that I would like to pursue my dream, one that I have had from a long time ago, of going on my own as Mizuno Yui. It is these factors that led to my decision.
 
I am thankful for the numerous and precious experiences I was able to have being a part of BABYMETAL. I always felt day to day that I was truly blessed. The live shows where we all smiled together and became as One were truly happy and enjoyable times. I will do my utmost best to be able to again one day meet all of you as Mizuno Yui.
 
Thank you from the bottom of my heart for the last 8 years.
Mizuno Yui”
 
Well when she does come back, I firmly believe Yui will be welcomed back with open arms from BABYMETAL’s diehard fan legion… including yours truly.

 
Allow me to join in with the rest of the metal world and say: get well soon Yui Mizuno!

Surely, the 1969 was a year of numerous historical moments, but for music fans that year holds unique significance of the year of Woodstock. An event like no other, the Woodstock stage was graced by legends like Jimi Hendrix, The Grateful Dead, Santana, and others who performed in front of over 400,000 fans. Those who got to witness the event will tell you that nothing like this could ever happen again… and if they may also tell you that it was a crazy production and took years to turn a profit.
 
It’s true, for such a monumental event, it left some investors feeling robbed. With all the lost money put into it and the location not being optimal, they decided to shelve Woodstock. After over two decades, they tried it again for the 25th anniversary in 1994. The lineup was adjusted to fit the times, bringing in alternative, hip hop, and metal to create the perfect blend for what the festival needed at the time. Plus the thought of Metallica leading into Crosby, Stills, & Nash then to Rollins Band makes me wish I was there to watch the polarized reactions of concert goers. The 1994 edition was successful enough that the producers decided to bring it back again, but this time sooner.
 
Well that is exactly what they did for the 30th anniversary of Woodstock 99’. This one would also be called, “the one that killed Woodstock.”

To tell you every detail that lead to this title would take a while, so here is a list to help!
 
- Oppressive heat that reached over 100 °F
- Increased prices for food and drinks to alarming degrees
- Restroom facilities were limited and unusable, with a septic line backed up to boot.
- Music artists were frustrated and let the audience know
- Music artists inciting frustrated audience to get even more angry
- Trash littered everywhere
- Bonfires became out of control
- People began to loot
- Low security to stop the looting
- Someone died
 
Look, at that point I don’t care how many Nu-Metal bands were there, that festival seemed to crazy… even for me. After the festival, the investors shelved Woodstock again, hoping to forget that it even happened. At that time, I remember my friend telling me that “Woodstock is dead forever, my dude” and I believed him. With such bad press and the rise of various other music festivals, I thought Woodstock would just become a name synonymous with being the best and also the worst festival ever. But, just when you think it’s dead, the current rights holders seem to think the time is right to give Woodstock one more try in 2019 for its 50th birthday.

 
Live Nation is partnering with the historic site of the original festival, Bethel Woods Center for the Arts, and agency Invnt to revitalize Woodstock in a world of festival madness. The date of the festival is currently being set for August 16th to the 18th. Only time will tell if I get a chance to experience this rebooted event spectacular, but I'm going to get myself in the mood early by sharing what I consider  the best thing to come out of Woodstock 99’ for me. I am of course, talking about Korn performing “Freak on a Leash.” Let’s see what Woodstock 2019 has to bring!

I don’t know if it’s due to the season of Halloween masks, but the band Slipknot has been on my mind as of late. Perhaps it’s also because their 20 year anniversary is coming up and frontman Corey Taylor recently revealed that he's begun lyric writing for a new Slipknot album. Whatever it is, I feels like the right time to look back at all the Slipknot live shows that I’ve survived and conquered.
 
Ozzfest June 30, 2001 in San Bernardino:
 
A pinnacle of metal concerts, in my opinion. Metal exuberance filled the Glen Helen Blockbuster Pavilion (that’s right, Blockbuster!) as metalheads bounced between the main stage and second stages. I vividly remember approaching the main stage with the sad knowledge that Drowning Pool’s last minute cancellation would prevent my own personal “let the bodies hit the floor” moment. But my frown quickly turned into upside down into a snarl as nine jumpsuited figures hit the stage. It was if a blinding light of metal fury was cast over the audience, cranking the mood from from eight to eleven. As the first notes rang out, I was actually nervous as opening acts Linkin Park, Papa Roach, and Nonpoint hadn’t quite warmed us up properly for such a heavy onslaught. It was like the metal equivalent of going from Kenny G to Slayer, you get what I’m saying?
 
As the show raged on, I witnessed a deranged clown smashing a trashcan with a bat, a gas masked DJ jumping from the stage-support into the audience, a long nosed gimp… you know what, I'll stop myself there. Suffice to say, it was the kind of that left me with a natural high and a ring in my heart (and ears) that started my love for a band I knew nothing about. I guess If you wanted to make it more poetic, that was the day I went from a young man to a maggot. 
 
Ozzfest July 31, 2004 in San Bernardino:
 
I returned to the now-called "Hyundai Pavilion," rocking the sweetest of Superjoint Ritual shirts that I won from a local rock radio booth. My friends were anchored to the main stage line up, but I had my eyes glued to that second stage. With the likes of Darkest Hour, DevilDriver, Unearth, Every Time I Die, Lacuna Coil, Atreyu, and Lamb of God… it was a veritable who’s who of amazing talent that would fight for my love on my “most played” on my IPod mini.
 
There was, however, one band that I was looking forward to the most. Dawning new masks and new black outfits, Slipknot hit the stage with a whole new level of polish. The insanity and crazy stage antics were still there, but it was different now, somehow even more pure and focused. At that point it was less of an embodiment of emotion and noise, and more like a singular drumline hellbent on unifying the audience with its music. And, sure, maybe I lost my left shoe in the pit, but it was well goddamn worth it for that experience!
 
And you can be that the mosh was unreal when “Before I Forget” dropped.
 
Mayhem Festival July 16, 2008 in Chula Vista:
 
Okay, this is one of the shows I actually wished was back in San Bernardino, because Chula Vista’s amphitheater was terrible. From the parking lot of horror to making me miss most of the side stage performances, to the staff frisking me three times because I was apparently the "most suspicious guy there.” However, for that night... I let it all slide.
 
After watching Five Finger Death Punch at the properly branded Jägermeister Stage, I took to my lawn seat watched the main stage as megaband after megaband came and went. To be fair the sound was great, but we felt so disconnected way in the back. This raised a serious question: would Slipknot suffer from this same effect? Will we not have the Slipknot experience if we were not front and center?! Will I ever remember why I thought it was a good idea to wear my dress shirt to a metal festival??!! All I knew at that moment was Slipknot was hitting the stage next and I wished I could be closer.
 
The sound cue goes off and the band hits the stage. Now brandishing newer, more morbid-er masks and a more military aesthetic to their black uniforms, they kicked off the proceedings. From a set list of ranging from big hits and deep dive charms, this performance blew away the prior disappointments. My bud and I headbanged in the back as “Psychosocial” blasted its way through the audience, giving us the biggest pop when we saw the turntablist, Sid Wilson, crawled on stage while having 2 broken ankles.

After that show, I had an epiphany: my love of the band was not just from their music and “crazy live” antics, it was also from the artistry and dedication they bring to the fans at every show making you feel a part of it, no matter if you are in the front or in the back. 
 
Knotfest October 25, 2014 in San Bernardino:
 
Back at the now "San Manuel Amphitheater," enjoying the array of mass talent that Slipknot brought to its self-branded festival. It was so refreshing to go to a metal festival that had such a huge lineup and had things to do at any time. It was like they created a festival that catered to the twisted minds of their fans by bringing upside down ferris wheel, a thunderdome, food trucks with appropriate names like “Grill Em All” and having lots of fire. The spectacle of this fest engulfed all who came and brought their senses to an overload, much like Sipknot's music. As day turned to night, it was time for the final act to hit the stage.  
 
Slipknot came on to an roaring crowd that had been fueled by the day devoted to stimulation and anticipation, waiting to hear the band that brought this festival to life. As I stood in the center in audience, the pit beginning in motion, I noticed some younger kids in the crowd. They reminded me that at one point I was just like them, wide eyed to the spectacle of the insane Slipknot live show. Having aged 13 years during the course of this journey just as I did, Slipknot might not be setting themselves on fire or smashing their heads into the audience at this point, but you can believe that still brought every ounce of the same intensity that I first witnessed in 2001. And that, my friends, is what will keep bringing me (and those kids) back to witness Slipknot over and over again.