“We live in a nation with a criminal justice system that is like a cancer on the souls of our country” said Senator Cory Booker speaking to the crowd at the Barclays Center last night for the fourth annual Tidal X show. Booker noted that America’s motto is “land of the free,” but one out every for incarcerated people in the world are here in the United States. He also pointed out that the U.S. has shockingly high rates of women in prison as well as “the vulnerable,” poor and drug addicted. Booker declared that you are treated better in the judicial system if you are rich and guilty than poor and innocent, admonishing the U.S. legal system for “the perpetuation of racial divide, overwhelmingly locking up Black and Brown people.” A sobering statistic was provided, stating that African Americans are 3.7 times more likely to be arrested than someone who is white. The politician told the crowd that there are more Black people in the United States under criminal supervision today than there were slaves in 1850. 
 
CNN Van Jones followed shortly after with equally potent and eye opening words.

Jones told the Brooklyn spectators he was proud to be in the building but was also very “tired.”
 
“Too much violence, too many prisons,” he lamented. “I’m tired of going to funerals with young people in the caskets and gray haired people in the pews.” Jones added he was also tired of going to prisons and seeing geniuses and artists locked up “for stuff that rich folks do every day…” Jones later admonished the U.S. judicial system for having “women trying to give birth, shackled and beaten like animals.”
 
He then promised change.
 
“We are going to bring the horror of mass incarceration to an end,” the journalist declared. “We are done with it. Thank you Roc Nation and Tidal for standing up to these people.”
 
Jones divulged that Roc Nation and Tidal have raised over ten million dollars for criminal justice reform prior to tonight and all of the proceeds from the charity concert are going towards four organizations; Jones’ own Cut 50, Equal justice, The Innocent Project and Reform. 
 
The heavy mood changed back to festive when Anderson .Paak, backed by the musical ensemble Free Nationals, came out for his single “Bubblin’.” After reaching back for his monster hit “Come Down,” the acclaimed Grammys winner brought out Too $hort for “Blow The Whistle.”
 
Nick Jonas kept the party going with “Right Now” and then preached reaching the “Levels” of his girl’s love. “I know we can get higher, there’s levels to your love” he belted out. Jonas then slowed the tempo, standing center stage on the mic in a stand on “Close.” 
 
“Cause if I want you, then I want you babe,” he explained. “Ain’t going backwards, won’t ask for space. Cause space was just a word made up by someone who’s afraid to get to.”
 
Jonas’ ended on a high note with his finale “Jealous.”

The time for just looking and not acting is long gone. At a time where our country is reevaluating itself and processing before the upcoming midterm elections, music streamer Tidal unveiled their fourth annual Tidal X show at the Barclays last night, with a heavy emphasis on social justice. Lil Wayne and Lauryn Hill headlined the benefit concert with hip-hop’s poster child for social justice, Meek Mill also appearing on the marquee. Tidal is working in conjunction with different organizations to fight social injustice, such as Cut 50, which is dedicated to cutting crime in in all 50 states, and the Equal Justice Initiative, who fight mass incarceration of minorities. 
 
Teyana Taylor started the night, backed by a squadron of dancers who all wore red, as did she. With a navy blue Yankee fitted hat, the multitalented performer served “Gonna Love Me,” a highlight from her K.T.S.E. (short for Keep That Same Energy).
 
Following with short but soulful sets were Patrick Droney, on guitar, and Cautious Clay. Newcomer Arin Ray sped up the tempo with and lightened the mood with his sing-songy raps on “We Ain’t Homies.”
 
“Y’all ready for a fu--in’ show tonight?” Ray asked the crowd who responded with a hearty “yeah.”
 
Ray, as many remember, was eliminated from the “X Factor” when he was just 15 years in 2011. Since then, the singer has written songs for Chris Brown and most recently toured with H.E.R. 
 
Ray made way for S.I.R., T.D.E. Record’s latest superstar-in-the-making. The crooner started with a stirring serving of “Something New,” then went into “War.”
 
“I'm not backing down,” he sang. “I made it too far to say that the war is over now. Somehow I was neglecting the fact. That your heart is what you're protecting. And that makes it special. Which is why I'm here. Standing on this ledge, trying to make it clear.”
 
Sir’s affection went from a woman to Mary Jane on “D’Evils.” The Inglewood, CA native told the New York crowd that he smokes on that Cali OG and harmonized as the sampled chorus on his song rang throughout Barclays, “One spliff a day, keeps the evil away.”
For more coverage on Tidal X, stay tuned to LiveXLive.
This weekend it was officially announced that Yui Mizuno (aka Yuimetal) of BABYMETAL has officially parted ways with the famous metal band. For many fans, the news did not come as a shock due to her absence of band performances during the summer despite management’s attempt to turn Yui’s whereabouts into part of the band’s storyline. Sadly, fans were finally given closure this week via the band's statement that Yuimetal had left the group to rest and recover from an undisclosed illness.
 
Below is BABYMETAL’s official announcement on Yui's departure:
 
“Yuimetal had expressed her desire to return performing with the group in the following months after last December’s performance due health concerns. During her absence, both Su-metal and Moametal as well as the entire staff team had been preparing for her awaited return. However, Yuimetal came to a decision that she will not be performing at BABYMETAL World Tour 2018 in Japan and that she will no longer be a part of BABYMETAL. We thank her for all of her contributions and wish her all the best in her future endeavors.”
 
Don’t think this will be the last you will see of her though. In her own statement, she expressed that when she recovers from her health problems, she would want to return to the stage as a solo artist.
 
Yui provided a separate message to the fans:
 
“To all the fans,
 
I am truly sorry for the inconvenience I have caused so many people due to being absent for an extended period of time. I have mulled over this over and over again but, I have decided to leave BABYMETAL at this time.
 
I feel very sorry that my decision will disturb the other members and some many fans who have supported BABYMETAL. I am further terribly sorry to sadden the fans who have supported BABYMETAL. I had the strong desire to appear on stage again but my physical condition is not at its best even now, and further I feel that I would like to pursue my dream, one that I have had from a long time ago, of going on my own as Mizuno Yui. It is these factors that led to my decision.
 
I am thankful for the numerous and precious experiences I was able to have being a part of BABYMETAL. I always felt day to day that I was truly blessed. The live shows where we all smiled together and became as One were truly happy and enjoyable times. I will do my utmost best to be able to again one day meet all of you as Mizuno Yui.
 
Thank you from the bottom of my heart for the last 8 years.
Mizuno Yui”
 
Well when she does come back, I firmly believe Yui will be welcomed back with open arms from BABYMETAL’s diehard fan legion… including yours truly.
 
Allow me to join in with the rest of the metal world and say: get well soon Yui Mizuno!

We’re less than 2 weeks away from the opening of a film fans have been waiting on for nearly a decade. Bohemian Rhapsody, the Queen/Freddie Mercury biopic, opens nationally on November 2nd, and the Slacker fam could not be more excited. Since the project was announced in 2010, we’ve been through at least three possible Freddie Mercury incarnations & two different directors.

But it’s finally here! And we know it because Rami Malek is on a press tour. He sat down with Stephen Colbert recently to talk about the stress of having to perform AS Freddie in front of the actual remaining members of the band, and how the spirit of Freddie had a message for him.

See what Rami has to say about playing a Rock Legend and then gear up for the film with Slacker’s Queen: The Count Up station!

LeBron James is trying to take all the jobs. Being a perennial NBA All-Star and four-time MVP wasn't enough, so he added a television and film producer credits to his resume. To go with that, he’s also become a flawless talk show host, conducting hip hop’s most talked about interview on his HBO show “The Shop,” when Drake dropped by to discuss his grievances with Pusha T and Kanye West.
And yet, with sports, television, movies and hosting on the resume, James seems to be pushing into his next gig: music influencer.
Anyone that follows James on social media knows his other passion is music. He enjoys showcasing himself vibing to the latest and greatest tunes, whether it be the Push T “Daytona" LP (oh, the irony) or Lil Wayne’s Tha Carter V. Last week, the LA Laker co-signed Usher’s "A," telling the world his appreciation for the song “Peace Sign” in particular.
 
“I saw LeBron and he put my name in it. Shout LeBron. He shouted me out,” Zaytoven told LiveXLive on Friday in New York, as he was in town to screen his new movie “Birds of a Feather II” at a Tracklib event, and to shoot an Axe commercial with Lil Yachty.
 
Usher and Zaytoven connected in Los Angeles for just a few days on the A. The album was  completed in just about a week. James’ favorite “Peace Sign” is one of the project’s crown jewels, serving as a muse for subsequent songs during the recording process. 
 
“’Peace Sign’ was the first song we did that made me feel like ‘we got something now,’” according to Zaytoven. “Like, ‘we got the core sound of what it needs to sound like.’ You know how you just doing songs like ‘oh that sounds good; that’s pretty hard.’ ‘Peace Sign’ was the one that made me be like ‘oh wait a minute. Now we got something.’”
 
Zay produced all eight songs on the album and true to his expeditious reputation, the beats took him an average of five to ten minutes to concoct. 
 
“Usher and the other people that were in the room that’s writers, they was kinda just piecing it together,” Zay told of the process. “As I’m making the beat, we’re coming up with ideas or they’re coming up with ideas to how to sing the song. Somebody got an idea, ‘go get in the mic booth. Say it. Ok Usher go put your piece on it.’ Once you hear Usher’s voice on the beat, you know it’s magic.”
 
You’re free to listen to “A" and decide for yourself, but influential media mogul and sometimes-music-influencer LeBron James is clearly feeling that magic.

So what artist is going to be the next to benefit from the Zaytoven sound and garner a hit? The bet says he’s working with “everyone.”

While at the screening at IMI studio in Manhattan, Zay Also divulged he’s adding some more arsenal to his repertoire by sampling for the first time ever. He recently recently joined the Creators Advisory Board for Tracklib, the world’s first and only online crate-digging and music sample clearance service. Legendary hitmakers Erick Sermon and Prince Paul are also among those working with Tracklib.

Didn't Trent always seem incredibly intimidating? Maybe he is or maybe he was… but the man sounds like a GOD DAMN DELIGHT, in this new Q&A with Stereogum

The discussion covers a myriad of topics, including scoring films and TV, NIN's latest album, the decision to do an intimate tour, and (headlining-ly) the zero f*cks given regarding The RnR Hall Of Fame snub.

As for the brilliance that is their Dance Party USA appearance?

"[Laughs] Yeah, very well. You have to remember, we were at zero. We were from Cleveland and we were on big powerful TVT Records right? I think "Down In It" had come out, we're in New York, and we're friends with our publicist and she's like, "Hey, are there any TV shows that you guys wanna do?" And I remember we had watched that show 'cause it was so fuckin' stupid, right? And I said "Yeah, fuckin' Dance Party USA, get us on that one." As a joke, kind of. And then she says the next day, or shortly thereafter, "Hey, I got you on Dance Party USA, it films over in New Jersey, you wanna do it?" “F*ck yeah, let's do it!" Not thinking that 30 years later ... But when we got there, we didn't take it seriously, it was so absurd and people looked ridiculous. Even at the time, they looked ridiculous. We looked ridiculous. But I remember trying not to laugh while we were doing it. We were just trying to make it another month in our career."
See? Delightful!

There’s been a lot of talk over the last – oh, let’s say two decades or so, about how women in country music are not being fairly represented on the radio. “Women don’t want to hear women,” we’re told over and over, even though there’s lots of evidence that it isn’t true.

That’s why it was so important for CMT to recognize some of them in its annual Artists of the Year special – all of the honorees were women. Miranda Lambert, Carrie Underwood, Maren Morris, Kelsea Ballerini, Lady Antebellum’s Hillary Scott, and Little Big Town’s Kimberly Schlapman and Karen Fairchild were recognized for their contributions to the format, and Loretta Lynn was given the Artist of a Lifetime award.

In her acceptance speech, Miranda talked about the importance of women lifting each other up.

Hillary, who accepted her award from her Lady A bandmates Charles Kelley and Dave Haywood, talked about teaching her girls about chasing their dreams. (And this is how I also found out I’ve been pronouncing her daughter Eisele’s name wrong)

Maren’s speech started with the disbelief that Sheryl Crow handed her the award, and how inspired she is by her fellow honorees.

Kelsea talked about the gift of the women who’ve inspired and taught her who have also shared their stages with her and helped her, and the importance of supporting one another.

Little Big Town’s Jimi and Phillip were the ones to give awards their bandmates Karen and Kimberly, who promised to be Gladys Knight’s backup singers in heaven. And they talked about how important this night was for women, and listed a LOT of the up-and-coming women in country music who also deserve support.

Sadly, Loretta Lynn was sick and couldn’t make it to the show, but her good friend Sissy Spacek, who played her in Coal Miner’s Daughter, and who was already set to do the honors, accepted the award on her behalf, and to a standing ovation.

If you missed the show, it will air again on CMT, or you can watch the whole thing on their website. It’s worth the time – these women rock (in a country way)!

Pardi’s party with Cardi. Newburgh, NY’s own Pardison Fontaine made his stage performance last night at the BET Hip-Hop Awards in grand fashion, joining collaborator/superstar Cardi B to perform their new single “Backin’ It Up."

Fontaine collaborated heavily via his pen on Cardi’s "Invasion Of Privacy," and the two are carrying the momentum over on Pardison’s club banger.

“Sleeping in the studio, sleeping on the couch,” Pardi reminisced on the BET green carpet award show in Miami. “I’m out here. 10 million views later. On the carpet. I made it to the carpet.”

And on that carpet, Fontaine ran into fellow New Yorkers, Dream Doll and producer/ DJ/ label CEO DJ Self. Dream has aspirations of getting from the carpet to the stage to collect some awards.

“I ain’t gonna know how to act. Turn the f--k up!l" Dream said of her reaction whenever she earns her first award. “Live my best life.”

Dream isn’t nominated this year but she did just drop her project Life in Plastic 2.

Fontaine did hit that stage, though, joining a long list of fan favorite performers at this year’s BET Hip-Hop Awards, including T.I., Lil Duval, Lil Pump, Lil Baby, Gunna, Gucci Mane and Young M.A.

People are still talking about Nick Grant’s rhymes from the Bet Hip-Hop Awards last night. Grant, who’s known as a lyrical-specialist, threw verbal fire at the screen professing “I'm a mixture of good karma and bad advice.” And later he declared “I'm just realer than n****s I admire.”

On the green carpet, Grant spoke about his drive to contribute music to the culture.

“I just learn from the greats,” he offered. “I'm cut from a certain cloth where people would record 10 songs in one night. Passionate, havng the love for it.  I feel like if I didn’t make any money off this, I would still this do this. I would work my nine to five and come home and still write raps.”

Many of the MCs who inspire Grant dropped albums this year. The young poet is excited to see so many veterans such as Eminem and Lil Wayne all put out product in the same year. When asked who delivered the best word play this year, he gave us his list.

“My top Five lyricist 2018, myself, Royce Da 5’9. Nas, Jay-Z of course. J. Cole... I’m just going off of everybody who dropped albums. My top five albums of 2018, Nasir, Daytona, the Pusha T album was dope. KOD of course. I was very huge on this August Green album. I thought that was incredible and my album, 'Dreamin’ Out Loud.'"

The Award show included a slew of hot performances, including Lil Duval, Ball Greezy, T.I., Yo Gotti, Gucci Mane, Cardi B, Partison Fontaine and newcomer Flipp Dinero. Lil Wayne was honored with the “I Am Hip-Hop” award.

“This is somebody that taught me how to write raps different ways,” Grant, a South Carolina native, said about Weezy’s influence on a generation of rappers. “Somebody that inspired me infinitely. Everything we see today with all these artist, he a piece of everything. He deserves it.”