Surely, the 1969 was a year of numerous historical moments, but for music fans that year holds unique significance of the year of Woodstock. An event like no other, the Woodstock stage was graced by legends like Jimi Hendrix, The Grateful Dead, Santana, and others who performed in front of over 400,000 fans. Those who got to witness the event will tell you that nothing like this could ever happen again… and if they may also tell you that it was a crazy production and took years to turn a profit.
 
It’s true, for such a monumental event, it left some investors feeling robbed. With all the lost money put into it and the location not being optimal, they decided to shelve Woodstock. After over two decades, they tried it again for the 25th anniversary in 1994. The lineup was adjusted to fit the times, bringing in alternative, hip hop, and metal to create the perfect blend for what the festival needed at the time. Plus the thought of Metallica leading into Crosby, Stills, & Nash then to Rollins Band makes me wish I was there to watch the polarized reactions of concert goers. The 1994 edition was successful enough that the producers decided to bring it back again, but this time sooner.
 
Well that is exactly what they did for the 30th anniversary of Woodstock 99’. This one would also be called, “the one that killed Woodstock.”

To tell you every detail that lead to this title would take a while, so here is a list to help!
 
- Oppressive heat that reached over 100 °F
- Increased prices for food and drinks to alarming degrees
- Restroom facilities were limited and unusable, with a septic line backed up to boot.
- Music artists were frustrated and let the audience know
- Music artists inciting frustrated audience to get even more angry
- Trash littered everywhere
- Bonfires became out of control
- People began to loot
- Low security to stop the looting
- Someone died
 
Look, at that point I don’t care how many Nu-Metal bands were there, that festival seemed to crazy… even for me. After the festival, the investors shelved Woodstock again, hoping to forget that it even happened. At that time, I remember my friend telling me that “Woodstock is dead forever, my dude” and I believed him. With such bad press and the rise of various other music festivals, I thought Woodstock would just become a name synonymous with being the best and also the worst festival ever. But, just when you think it’s dead, the current rights holders seem to think the time is right to give Woodstock one more try in 2019 for its 50th birthday.
 
Live Nation is partnering with the historic site of the original festival, Bethel Woods Center for the Arts, and agency Invnt to revitalize Woodstock in a world of festival madness. The date of the festival is currently being set for August 16th to the 18th. Only time will tell if I get a chance to experience this rebooted event spectacular, but I'm going to get myself in the mood early by sharing what I consider  the best thing to come out of Woodstock 99’ for me. I am of course, talking about Korn performing “Freak on a Leash.” Let’s see what Woodstock 2019 has to bring!

Lil Wayne was presented the “I AM Hip-Hop” Awards as part of the 2018 BET Hip-Hop Award on Tuesday night. Before the man with the number one album in the world took the stage, his friends and collaborators, including Kendrick Lamar and 2 Chainz, sang Wayne's praises in a pre-taped video package. DJ Khaled and Bun B had introduced their musical brother to the crowd. 
 
Despite all the high praise and momentous honor, Weezy took the stage in humble fashion and wanted to focus on everyone who never gave up on him.
 
“You’re awesome,” he said to the Fillmore Miami Beach audience. “To all my friends that was involved in the tribute, everybody whose face, whose voice I heard; you didn’t have to do that. I swear to God I appreciate every single one of y’all. To everybody in here who I know feels the same way, I appreciate y’all. This award right here... I must give this award to the people who refuse. What I mean is the people who refuse to stop supporting me during... You already know. The people who refuse, who haven’t seen me put an album out in six years, four years; you guys respected me. You guys supported me, you guys came to every show, you respect every album,  every feature… My family refused, refused to stop motivating me, to stop treating me as if I am not the man. As if I am not the father that I am. As if I am not the person that I am. Never let me feel anything less. Give it up for my family for that.”
 
He also had a special thanks for an extended family member he affectionately refers to as “Uncle Bob,” the New Orleans' police officer who responded to the call when Wayne accidentally shot himself as a child. 
 
“He came into an apartment one day,” Tunechi explained. “He bust in the door, guns drawn.  He saw nobody. He saw legs on the floor,  they were my legs. He saw blood everywhere. A bunch of police hopped over me, he refused to do so.’
 
Wayne disclosed that EMS were on the scene and tried to revive his lifeless body twice, to no avail. Uncle Bob drove the him to the hospital in a police car and had very clear instructions to the doctors. 
 
“He said ‘you do whatever you got to do and make sure this child makes it,’” the Grammy award winner continued detailing. 
 
Since then, Bob has never let Wayne give him any type of monetary thanks. 
 
“He refused to let me pay for his meal, refuse to let me do anything, take care of anything,” Weezy described. “I saw Uncle Bob the other day and said ‘let me help you in any kind of way.’ This man has two amputated legs. He refused to stop. He’s not in a wheelchair, he’s walking. You know what he asked for, a job. To my fans my family, my supporters, to BET, I refuse to stop. Thank you.” 
 
The 2018 BET Hip-Hop Awards also featured performances by T.I., Lil Pump, Lil Duval, Gunna, Gucci Mane, and Cardi B among others.

The Chicago and Atlanta combination of G Herbo and Southside have made for a electric hip-hop combination. Their Swervojoint LP (Southside Produced the entire project) has earmarked them as one of the hottest duos in the game. Despite their sizzling status, the two recently gave props to another heatseeking combo on the BET Hip-Hop Awards’ green carpet.

“I want to see the home team Lil Baby and Gunna,” said Southside, the man who has produced for Jay-Z, Kanye West, DJ Khaled, Waka Flocka Flame and Future, amongst others. “I want to see what they got going on."

“Ditto,” Herbo added. “I say the same thing. I want to see Baby and Gunna.”

Chi-Town’s Herbo has enjoyed Baby and Gunna’s rise, especially since they started on the underground circuit as he did.

“When you build it organically from the ground up, when you build it from the mud, it makes [the fans] cherish you more,” Herbo determined. “You want to keep striving literally. Like me and Southside knew each other before we had all these millions. He genuinely reached out to me when I was 15, still in the hood. Going on high speed [police chases] and going to jail. He saw it  in me before I saw it in a myself.”

“He was different. He was a different kid,” Southside reminisced. “The way he rapped. His style, everything. I couldn’t figure it out. I couldn’t figure it out. I love what I can’t figure out.”

Herbo and Southside are heading out on the road soon, headlining a 40 city tour.

Catch the BET Hip-Hop Awards tonight at 8pm on BET.

Comedian Lil Duval is usually jovial; it’s kind of his job. However, Duval took jovial to a new level as he boasted on social media about his single “Smile (Living My Best Life)” going number one. The Florida native, who’s been down with T.I.’s Grand Hustle family for over a decade, is enjoying the greatest success of his career with a song that’s being sung by everyone from Future to your next door neighbor.
“Smile” is that universal type of feel-good anthem that resonates with everyone, because who among us doesn’t strive to live that best life? Believe it or not, the song title is actually pilfered from an Oprah Winfrey mantra — seriously, check out O Magazine’s book “Live Your Best Life: A Treasury of Wisdom, Wit, Advice, Interviews, and Inspiration from O, The Oprah Magazine.” But Oprah references aside, the true genius in this record is in its aspirational notion that we should make the best of their current situation, no matter what.
These days we see Duval on stages way more for singing than his stand up.  
 
“41 years old, living my best life,” told us calmly on the green carpet of the BET Hip-Hop Awards, which air tonight on the network. Clearly success isn’t just for those in their 20s and 30s. “The only ones that’s surprised is the industry,” he added about his increased profile. “I been had fame. I been had support. It’s just new to the industry. It’s different how people see me, but it’s not that much difference to me.”
 
Besides Duval’s show stealing turn at the awards, he was looking forward to seeing his family T.I. perform as well as the “I AM Hip-Hop” award recipient Lil Wayne.
“Someone like Tip’s been doing this for so long. I’m doing what he’s been doing,” the funnyman determined. “He’s definitely one of the greatest. And Lil Wayne.”
 
Duval is working a full length LP and is releasing a new single before 2019.
 
“I got another song dropping, probably gonna drop it end of this year.”

OK, who had October 14th in the pool?

I’m kidding. It’s easy to make jokes about Ariana Grande’s relationship with Pete Davidson – they seemed so mismatched, he seemed so goofy and awkward and just… not on her level.

But this is yet another sad blow to Ari in a season of tough life events. One of the biggest, obviously, being the untimely death of her ex, Mac Miller. Sources are saying that was the ultimate breaking point of her relationship with Pete.

Ari failed to show up to a scheduled event on Saturday night, the F___ Cancer Gala in Los Angeles. Her manager, Scooter Braun, who is also involved with the foundation, spoke up for her.

“Someone that I am very close to could not be here today because of things that she is going through. She couldn’t be here today, and while I was frustrated, being a manager, my wife, being who she always is, said to me, ‘She needs this time.’ If people are just here to see her sing and not [wanting to] be here for the cancer foundation, I don’t want them here anyway.”

The next day, news started to leak that Ariana & Pete's engagement had been called off. Ultimately I’m happy she’s not marrying him – I think she can do better! -- but I feel sad that her life has been so rough lately.

Maybe she can get some closure with Slacker’s The Twenty: It’s Over.

I’m not giving you a spoiler alert, because the AMAs were days ago and if you don’t know who won by now, you haven’t been on the internet. So.

By far, the big country winner of the night was Kane Brown. He beat out superstars Luke Bryan and Thomas Rhett for Favorite Country Male. He came out ahead of Thomas Rhett and Luke Combs for Favorite Country Album. And he also won Favorite Country Song for “Heaven,” edging out Dan + Shay’s “Tequila” and FGL and Bebe Rexha’s “Meant To Be.”

Here’s his acceptance speech for Favorite Country Male (and the good news is, he did NOT pass out).

His fiancée Katelyn Jae wasn’t with him – she was home watching on TV, but when his name was announced. Check out her reaction on Instagram here.

Carrie Underwood got her sixth AMA for Favorite Female Country Artist, in fact, she’s won that one every year since 2014. Check out her acceptance speech here.

Later, on social media, she says she got caught up in the excitement and the emotions and felt like her speech made no sense, and she left out half of what she wanted to say, so she finished here!

Not surprisingly, Florida Georgia Line took home the win for Favorite Country Duo or Group. Check out their red carpet interview with Jessie James Decker – and their STYLE.

Only one all-genre category included country artists. Florida Georgia Line and Maren Morris were both up for Collaboration of the Year for their projects with Bebe Rexha and Zedd, respectively. Neither won, but as they say, it’s an honor just to be nominated, right?

While President Trump’s opinion of the newly outspoken-on-politics Taylor Swift (well, at least her music) has recently diminished by a whopping 25%, the superstar singer continues to get support from within the entertainment community. Over the weekend, Swift took to social media and gave a lucid, well-articulated explanation of why she chose now to break her political silence and to let the world know she was endorsing Democratic candidates in the upcoming mid-term elections in her home state of Tennessee. Fellow pop-star (and sometimes nemesis) Katy Perry and actor Josh Brolin are among the celebrities who publicly supported Swift’s sentiment. The growing list of Swift supporters can now add one Mr. CeeLo Green.
Green weighed in on Monday from his hometown of Atlanta, where the musical renaissance man is taking a break from his recording and touring to hang out with his son Kingston and new artist, Echelon, to discuss politics. The legendary performer said he likes that Swift has decided to get vocal.
 
“Kudos to Taylor Swift for owning up to her opinion and lending her influence and support to someone that she deems worthy,” the veteran MC applauded. “I have to respect that. It’s quite difficult because we’re bound by our opinions, our public opinions. IT can be picked apart. There’s no way to give politics poetic justice. It’s a conversation that only requires plain English. Just speak to the facts. Know your enemy, know your opposition and then know thy self and be true to thy self.”
 
Swift was the big winner last night at the American Music Awards. Not only did she open up the show with a performance, but she also took home Artist of the Year, Tour of the Year Favorite Female Artist, Pop/Rock and Favorite Album/ Pop Rock for Reputation.
I don’t know if it’s due to the season of Halloween masks, but the band Slipknot has been on my mind as of late. Perhaps it’s also because their 20 year anniversary is coming up and frontman Corey Taylor recently revealed that he's begun lyric writing for a new Slipknot album. Whatever it is, I feels like the right time to look back at all the Slipknot live shows that I’ve survived and conquered.
 
Ozzfest June 30, 2001 in San Bernardino:
 
A pinnacle of metal concerts, in my opinion. Metal exuberance filled the Glen Helen Blockbuster Pavilion (that’s right, Blockbuster!) as metalheads bounced between the main stage and second stages. I vividly remember approaching the main stage with the sad knowledge that Drowning Pool’s last minute cancellation would prevent my own personal “let the bodies hit the floor” moment. But my frown quickly turned into upside down into a snarl as nine jumpsuited figures hit the stage. It was if a blinding light of metal fury was cast over the audience, cranking the mood from from eight to eleven. As the first notes rang out, I was actually nervous as opening acts Linkin Park, Papa Roach, and Nonpoint hadn’t quite warmed us up properly for such a heavy onslaught. It was like the metal equivalent of going from Kenny G to Slayer, you get what I’m saying?
 
As the show raged on, I witnessed a deranged clown smashing a trashcan with a bat, a gas masked DJ jumping from the stage-support into the audience, a long nosed gimp… you know what, I'll stop myself there. Suffice to say, it was the kind of that left me with a natural high and a ring in my heart (and ears) that started my love for a band I knew nothing about. I guess If you wanted to make it more poetic, that was the day I went from a young man to a maggot. 
 
Ozzfest July 31, 2004 in San Bernardino:
 
I returned to the now-called "Hyundai Pavilion," rocking the sweetest of Superjoint Ritual shirts that I won from a local rock radio booth. My friends were anchored to the main stage line up, but I had my eyes glued to that second stage. With the likes of Darkest Hour, DevilDriver, Unearth, Every Time I Die, Lacuna Coil, Atreyu, and Lamb of God… it was a veritable who’s who of amazing talent that would fight for my love on my “most played” on my IPod mini.
 
There was, however, one band that I was looking forward to the most. Dawning new masks and new black outfits, Slipknot hit the stage with a whole new level of polish. The insanity and crazy stage antics were still there, but it was different now, somehow even more pure and focused. At that point it was less of an embodiment of emotion and noise, and more like a singular drumline hellbent on unifying the audience with its music. And, sure, maybe I lost my left shoe in the pit, but it was well goddamn worth it for that experience!
 
And you can be that the mosh was unreal when “Before I Forget” dropped.
 
Mayhem Festival July 16, 2008 in Chula Vista:
 
Okay, this is one of the shows I actually wished was back in San Bernardino, because Chula Vista’s amphitheater was terrible. From the parking lot of horror to making me miss most of the side stage performances, to the staff frisking me three times because I was apparently the "most suspicious guy there.” However, for that night... I let it all slide.
 
After watching Five Finger Death Punch at the properly branded Jägermeister Stage, I took to my lawn seat watched the main stage as megaband after megaband came and went. To be fair the sound was great, but we felt so disconnected way in the back. This raised a serious question: would Slipknot suffer from this same effect? Will we not have the Slipknot experience if we were not front and center?! Will I ever remember why I thought it was a good idea to wear my dress shirt to a metal festival??!! All I knew at that moment was Slipknot was hitting the stage next and I wished I could be closer.
 
The sound cue goes off and the band hits the stage. Now brandishing newer, more morbid-er masks and a more military aesthetic to their black uniforms, they kicked off the proceedings. From a set list of ranging from big hits and deep dive charms, this performance blew away the prior disappointments. My bud and I headbanged in the back as “Psychosocial” blasted its way through the audience, giving us the biggest pop when we saw the turntablist, Sid Wilson, crawled on stage while having 2 broken ankles.
After that show, I had an epiphany: my love of the band was not just from their music and “crazy live” antics, it was also from the artistry and dedication they bring to the fans at every show making you feel a part of it, no matter if you are in the front or in the back. 
 
Knotfest October 25, 2014 in San Bernardino:
 
Back at the now "San Manuel Amphitheater," enjoying the array of mass talent that Slipknot brought to its self-branded festival. It was so refreshing to go to a metal festival that had such a huge lineup and had things to do at any time. It was like they created a festival that catered to the twisted minds of their fans by bringing upside down ferris wheel, a thunderdome, food trucks with appropriate names like “Grill Em All” and having lots of fire. The spectacle of this fest engulfed all who came and brought their senses to an overload, much like Sipknot's music. As day turned to night, it was time for the final act to hit the stage.  
 
Slipknot came on to an roaring crowd that had been fueled by the day devoted to stimulation and anticipation, waiting to hear the band that brought this festival to life. As I stood in the center in audience, the pit beginning in motion, I noticed some younger kids in the crowd. They reminded me that at one point I was just like them, wide eyed to the spectacle of the insane Slipknot live show. Having aged 13 years during the course of this journey just as I did, Slipknot might not be setting themselves on fire or smashing their heads into the audience at this point, but you can believe that still brought every ounce of the same intensity that I first witnessed in 2001. And that, my friends, is what will keep bringing me (and those kids) back to witness Slipknot over and over again.

Last’s night’s American Music Awards might as well been called “Ladies Night.” Women dominated the proceedings by taking home awards and delivering jaw-dropping performances. One specific jaw belonged to Taran Killam of “Saturday Night Live” and “Wild N Out” fame, whose mouth agape reaction to Cardi B’s “I Like It" performance has made the internet rounds. But it was Cardi B who stole the night, as the Bronx native hit the podium three times to collect awards for Favorite Rap/Hip-Hop Song (“Bodak Yellow”), Favorite Soul/ R&B Song (Bruno Mars’ “Finesse” remix) and Favorite Rap/ Hip-Hop Artist. Beyond the trophies, it was Cardi's colorful, cultural and instantly iconic performance that turned the entire Microsoft Theater into Carnaval in Cuba meets Fordham Road in the Bronx. 
 
Taylor Swift, fresh off of taking her first-ever public political stance, focused on music for the night as she lead off the broadcast with her single “I Did Something Bad.” There’s no more ironic song title for the proud Tennessean song bird, as it was all good for her. Even Donald Trump, who says he likes her music “25% less” since her Sunday politically charmed Instagram post, would have a hard time hating on Swift as she continued her reign winning the AMA’s top honor, Artist of the Year. Less forgiving of Switft may be the BeyHive, which likely had to take a double shot of Dusse to calm their nerves as Swift also was awarded Tour of the Year, beating out such notables the Beyonce and Jay-Z stadium extravaganza “On The Run II” and Bruno Mars’ “24 K Magic World Tour.” While that victory may have been a shocker, it was no surprise that Swift got Favorite Female Artist, Pop/Rock and that her Reputation LP was awarded Favorite Album/ Pop Rock. Swift’s wins saw her surpass Whitney Houston as the most decorated female ever at the AMAs. 
 
While Swift stayed away from any heavy statements, AMA host Tracee Ellis Ross was declarative in words and in her audaciously beautiful garments. The star of “Black-Ish” wore clothes made by black designers from the legendary Dapper Dan to CD Greene. The most outspoken of her night’s wardrobe changes was the simply stated but powerful “I Am A Voter” tee shirt. 
 
Ciara had the biggest assist of the night, bringing her longtime friend Missy Elliott out for “Level Up.” CiCi and her dancers wowed with premiere choreography. Jennifer Lopez’s “Limitless” performance concentrated more on her vocals than her traditionally pristine dancing, but she still had flair, as did the timeless Mariah Carey who debuted a new song “With You.” Everyone is talking about how Carey barley moved while singing, but she did have a gaggle of dancers, some of whom emerged from her pink dress.

Other highlights included Newjack Ella Mae, walking from the crowd to the stage during “Booed Up,” and Gladys Knight delivered an ultimate diva move by descending from Heaven to grace us all as she paid tribute to her friend Aretha Franklin. The 74 year-old was backed by nothing but perennial all-stars, Ledisi, Donnie McClurkin, CeCe Winas and Mary Mary. With a picture of a smiling Franklin angelically posted in the back of the stage, the Knight-led contingency erupted with a forceful and emotional medley of Gospel records that were stirringly soulful.
 
And of of course, one of the night’s most poignant moments occurred when XXXTentacion’s mom Cleopatra Bernard appeared onstage to accept her son’s posthumous win for Favorite Soul/ R&B album. “I’m so nervous, you guys,” said Bernard, who also was present to accept her son’s award Saturday at the BET Hip-Hop Awards in Miami. “I am honored to accept this award on behalf of my son. I would like to thank the AMAs, his fans, and to everyone who made this possible. Thank you guys so much. I appreciate it.”

Click here for the full list of winners from the American Music Awards.
https://en.wikipedia.org/wiki/American_Music_Awards_of_2018

Brendon Urie takes us behind the scenes of week 6 of the Pray For The Wicked tour – everything from drumming in a unicorn onesie, to lip syncing to Steve Winwood, to interacting with fans. Get a look at what it’s like to be on the road with Panic!

And don’t forget, they’re bringing a Queen tribute to Tuesday night’s American Music Awards! Get psyched for the 2018 AMAs with The Slacker 20 here: https://www.slacker.com/station/the-twenty-amas